“It does take you a while to get used to,” he said. “Ten minutes is sort of marginal, it probably needed a little bit more. Another thing that I think is a factor is it’s different to look at a bunch of clips and some were fast-cutting, montage-style clips. This is different experience than watching a character and story unfold.”
Because of that, he isn’t planning to release a 48 fps trailer for the movie. “I personally wouldn’t advocate a 48-frame trailer because the 48 frames is something you should experience with the entire film. A 2 1/2 minute trailer isn’t enough time to adjust to the immersive quality.”
Jackson himself has grown accustomed to watching 48fps imagery. He watches dailies in 48 frames every day, sometimes two hours worth.
“You get used to it reasonably quickly,” he said, commenting that now when he views traditional 24 frames footage, “I’m very aware of the strobing, the flicker and the artifacts.”
“We have obviously seen cuts of our movie at 48 and in a relatively short amount of time you have forgotten (the frame rate change). It is a more immersive and in 3D a gentler way to see the film.”